Tag Archives: religion

Faith and Film at the Palace Theater (Informal Class for the Community)

Faith and Film at the Historic Georgetown Palace Theater

 

Old hymnboard with class dates.Three years after being shut down due to the pandemic, Cinema & Religion returned as Faith and Film, hosted at The Palace Theater* on the historic square in Georgetown, Texas. The series was held four Sundays in July and four in October.

The series at The Palace resumes June 2 with four great films to discuss, led by four capable respondents.

Continue reading Faith and Film at the Palace Theater (Informal Class for the Community)

The Curative Serum

An Allegory About Disease

©Philip J. Hohle, Ph.D.

With all the talk about the disease de jour, we should never forget that there is another disease still running its unstoppable course, the most nefarious malady of all time. While one seldom hears in the news about its spread, this disease is fatal in that it deprives the infected of life. And yes, it is highly contagious due to our shared genealogy—all humans everywhere are at risk since it is transmitted at birth. It is impossible to avoid catching and spreading it.

Virus cells, man sneezing

The good news is that it is curable.

Centuries ago, the authorities issued a 10-part protocol on how to keep the disease at bay, but no one was able to live out those rather strict rules for hygiene and health. In more recent times, a new treatment has proven to be 100% effective, and it costs the patient nothing. The serum comes from the rare blood of one single Donor. It is so rare that no one can find a match. Records show that so much blood was drawn from this man that he died—though those who take the cure seem to come under the impression that he has been regenerated somehow. This may be true because, despite the rarity, the supply of this curative serum seems strangely unlimited.

There have been reports by those cured that the treatment is remarkably painless and enjoyable—but they can only realize this truth after the procedure is finished. In the moment, most people report an agonizing discomfort and a burdening sense of shame.

As such, there are many infected people who are hesitant to take the proven treatment for various reasons. The untreated may perceive such a cure to be worse than the disease. Others will claim the procedure is too naively simple, too inconvenient, or even unnecessary.

Still, there are even others who still bet on their ability to meet the standard protocol. On the other hand, there is a growing number of infected who just simply give up and embrace their disease—even to the point of proclaiming that their hopeless and joyless choice is actually more healthy and satisfying.

Meanwhile, scientists continue spending billions of dollars in research to bring expensive synthetic treatments to market. There are a host of medical salespersons who tout everything from exercise, to special diets, to a range of psychotherapies as the real cure. Meanwhile, those who suspect they are infected will often find ways to self-medicate. People become so immersed in such homeopathic remedies that they begin to experience a common hysteria—the impression that they are well and immune.

All these rumors are perpetuated in the news as well as in many of our pop-cultural narratives. Still, only in death will the true course of the disease be made known. And only in death will those remedies be found inadequate.

As stated before, the procedure is rather uncomfortable. One must be in the presence of the Doctor who requires one to disrobe completely—no clothes or adornments can hide one from His probing examination. The examining room is cold and lit brightly. It is common for patients to report that they sense other people watching as they stand before the Doctor, judging every flaw in their ridiculously pathetic naked body. Others resist the Doctor’s commands to bare themselves. As such, there are many stories of long struggles with the Doctor who must forcefully take away everything the patient brings into the examining room.

The symptoms of this disease are varied, but the most common one is that the infected have no joy or hope. And even many among those treated with the cure will report the lingering or recurring symptoms of this disease for the rest of their lives. Oddly enough, infected people often don’t realize that there are treatment centers scattered almost everywhere across the globe. Even the cured come in for regular treatments, even though their presence serves more of a reminder to the fact that they have already tasted the serum. This booster is particularly helpful when the ghost symptoms of the disease cause doubt.

The fact that many tend to put on their old clothes after undergoing the procedure is likely the cause of the lingering ghost symptoms. A clean new wardrobe is offered to every patient after treatment, but some think they can’t afford it. Others simply prefer the fit of their old clothes. In spite of one’s choices, people should know that the treatment centers remain open to address both the real and ghost symptoms of this disease.

With other diseases, social distancing is a way to contain the virus. Yet with this disease—this, the most contagious, most terminal disease the world has ever known—the Doctor commands his cured do just the opposite. We can never distance ourselves from our family, friends, and neighbors who are infected.

In all cases, the cure works. The serum is powerful. It always has been, and it always will be effective against whatever new strain is discovered—though it is unlikely any new virus will be discovered under the sun that hasn’t already been tested and destroyed.

THE FILMMAKER’S PRAYER: CINEMA & RELIGION by Philip J. Hohle, Ph.D.

Excerpt from THE FILMMAKER’S PRAYER

© Philip J. Hohle

     . . . According to Barna and Gallup polls, most of the residents in the U.S. are religious—or at least, we claim Christianity or some other mainstream faith-based worldview. Is it not strange then, that filmmakers often avoid addressing anything serious about religion in their movies?  At times, religion does play some positive minor role in the plot, but religiosity is more often the cause of the antagonist’s opposition to the less-religious protagonist than the reverse. It has become self-evident; religion is too complicated or fragmented for a scriptwriter to use as background for her characters. In making a character too religious, the writer runs the risk of losing some of the consubstantiation a viewer needs in order to like a character.

     In spite of filmmaker’s reluctance to make the celluloid sacred, I will argue in this book that films are full of religion. Both unconsciously and consciously, filmmakers infuse religion into the story in subtle ways, which can be missed unless the viewer is able to interpret the film on a less conventional level. Furthermore, I propose that if the viewer is not aware of the filmmaker’s religious sense-making within their created world, they are more subject to influence or even conversion. Considering the power of film, one can argue that the filmmaker is today’s tent-revival evangelist. But of course, most of this influence is worked in the unconscious and not always recognized in a conventional read of the film.

   In reading on, there will be some terms I use often that help shape the argument. As a matter of fact, Cinema & Religion is the sequel to Lenses, my previous book revealing ten perspectives one can use to interpret and make sense of movie narratives. . . .

[section omitted]

. . . This brings us back to the fundamental premise of this book. Films are full of ideology, and that ideology is often an identifiable worldview that is promoted as passionately as any religion. In these pages, we will compare the values, assumptions, and beliefs represented in films that, not only entertain us, but they comfort or disrupt us; they instruct and motivate us; they help us make sense of our lives. I hope that sounds like religion to you.

This book will:

  • Identify the key religious themes commonly found in narratives.
  • Show how these themes can be found and examined in a film.
  • Illustrate how the religious perspective will reinterpret the role and function of characters, the meaning of signs, and even the plot found in a movie.
  • Help the reader compare and contrast the ideological messages some popular movies to the divine story in Christianity.
  • Advance your emerging fluency as a lay critic, becoming more confident in recognizing the ideology and theology of a film.
  • Help you find a voice in communicating a case for its value or lack of value to our world. Ultimately, you can help shape the conversation over the film’s contribution to our culture’s grand narrative.
  • Motivate you to respond to an exigence (an urgent issue) raised by the film viewing experience.
  • Affirm and strengthen your appreciation for the power of film and the ability of the filmmaker to bring the viewer to experience transcendence in the story.

Cinema and Religion Continues for Fifth Season

Fifth Season of Cinema & Religion Informal Class for the Community Begins January 22, 2018
Free series returns to The Moviehouse & Eatery on Monday Nights at 6:30 PM

Hymnboard with dates

Austin, Texas—For the fifth consecutive season, Concordia University Texas (CTX) will offer the informal course Cinema and Religion to the community on Monday nights beginning January 22, 2018. The class is held each week at 6:30 p.m. at The Moviehouse and Eatery in The Trails at 620 Shopping Center across from the University. Continue reading Cinema and Religion Continues for Fifth Season