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On the Move to Fight Cancer

New Non-profit Hosting Benefit to Help Get Patients to Treatment Centers.

By Philip J. Hohle, PhD

Cancer is a tough enemy to fight. Recent statistics from the American Cancer Society show that in the United States, an estimated 125,000 cancer patients needed help with transportation to their treatment appointments in 2017. In Texas alone, the Society provided 2,223 cancer patients with rides, but 16,247 additional requests went unmet.

According to the Patient Advocate Foundation in 2015, 15 percent of all cancer patients reported problems accessing care due to transportation conflicts, and the greater the distance they have to travel, the more likely they will miss or delayed treatment. It is no wonder that the cancer survivor rate is remarkably lower in underserved areas.

Driving Hope LogoDriving Hope of Texas is a new startup that aims to put a dent in those statistics. The non-profit organization is the vision of a veteran professional truck driver Michael Hohle of Moody. “Several years ago, my uncle came down with cancer. I saw the trouble my aunt had in getting him to his treatments. They were from your typical small Texas town, and driving in the big city was quite intimating for her. Because of the situation, going to treatment was as hard on my aunt as it was for my uncle—who never really trusted her driving. I thought, ‘they needed me to do the driving.’” Hohle added, “Ever since then, I’ve been wrestling with how to help people who have to go through the stress of getting to their treatments. After all, just knowing you have cancer is stressful enough.”

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Short Tragedies

A Review of Independent Shorts (SXSW 2018)

by Philip J. Hohle, Ph.D.

As a whole, those who selected the narrative short films for the 2018 SXSW festival are apparently obsessed with themes of gender identity. I have selected a number of these shorts to analyze for the deeper questions they raise—along with the obvious conflicts and concerns more conventionally found in the story. It is often the less noticeable films that make for the richest philosophical discussion.

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Where’s Coach?

Review of Write When You Get Work (SXSW 2018)

by Philip J. Hohle, Ph.D.

Viewers might consider this film as another in the genre of anti-hero comedy. When it is difficult to place the actions in some framework of reality, the plot becomes absurd, and absurdity can only be placed in the comic genre. Often, the absurdity comes from a juxtaposition of ideas that seem incompatible—in this case, the good-hearted criminal.

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The Return of Religion

Review of Jinn (SXSW 2018)

by Philip J. Hohle, Ph.D.

It is refreshing to see well-developed African-American characters in a narrative, and this story is one of the best in avoiding stereotypes. Not surprisingly, Jinn is written and produced by a group of emerging Black filmmakers in the U.S. What adds to the quality of this film is that the narrative provides a refreshing take on the troubled encounters the whole world seems to have with religion these days.

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Alien Incarnation

Review of First Light (SXSW 2018)

by Philip J. Hohle, Ph.D.

Cast members from film sitting on a porch.Another in the science fiction genre where an alien race brings a blessing to a troubled earth, First Light has some interesting company. The film Arrival is one good example. In many of these tales, only certain characters have the sensitivity to hear or understand the message brought by these alien angels of mercy.

First Light is set in a town situated somewhere out West. Two teenagers are brought together after a strange set of events one night at a party outside of town. Few people in the town seem to be aware of, much less concerned about, the patterns of strange lights that appeared in the sky,
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Non-typical Bucks

A review of Legacy of the White Tail Deer Hunter (SXSW 2018)

by Philip J. Hohle, Ph.D.

Buck (Josh Brolin) is a legendary hunter staring in his own video series. His loyal cameraman Don (Danny McBride) accompanies Buck on a special hunting trip—the first for his son Jaden (Montana Jordan). The hunter’s situation in life is reflected in an old buck deer they site early on the trip—the animal has a huge rack and a sad, grey-looking face. Buck categorizes him as a non-typical specimen, and certainly, this describes Buck well. This film stays within the pattern of films at SXSW 2018 dealing with broken families and the difficult rites of passages for the kids in such a situation.

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Where the Wind Bloweth

A Review of Galveston (SXSW 2018)

by Philip J. Hohle, Ph.D.

Photo of two people on beachSet against the backdrop of a city known for its hurricanes, Galveston is the place of refuge for an unlikely couple on the run from the mob. Working as a hitman, Roy is set up by his corrupt boss in New Orleans. In escaping the sting, he also rescues a prostitute by the name of Rocky. Reluctantly bringing her along, Roy chooses Galveston as their destination—a place where they can lay low. Along the escape route, they rescue her little sister Tiffany from the girl’s abusive step-dad.

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Ripped Pages

Review of Damsel (SXSW 2018)

by Philip J. Hohle, Ph.D.

It is quite fascinating to watch the trajectory of the Zellner Brothers, David and Nathan, as they have continued to fine-tune their unique style in filmmaking. One may wonder if they got into directing and producing because they wanted to act, or they act because it makes producing and directing that much more efficient. Like the Coen brothers, it is unclear whose creativity is the driving force or if they share all the creative decisions that go into a film. In any case, the sibling team has risen to be among the kings of independent cinema, and it is appropriate to mention them in the same breath as the Duplass brothers (in my eyes, a huge compliment).

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The Deepening Spiral

Review of Friday’s Child


by Philip J. Hohle, Ph.D.

At the world premiere of Friday’s Child at SXSW 2018, I became somewhat annoyed with the question and answer session that followed the screening. As typical at these festivals, fans often stick with safe questions about technique rather than dive into deeper issues raised by the story. Instead of exploring the meanings behind the film, those asking questions that night seemed more interested in talking about aspect ratios and camera lenses. For this viewer, the film triggered some dark memories, and as such, the movie was unusually visceral.

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